Sharktopus – “Half-shark. Half-octopus. All terror”
Yes, day 6 of Shark Week brings the world-wide phenomenon known as sharktopus! Winner of SyFy Channel’s Monster Madness, as well as proud owner of one of the most ridiculous plots in B movie history, Sharktopus represents the quintessence of bad horror movies. It is, I believe, about as close as you can get to the perfect blend of campiness, over-the-top-ness, and downright awfulness without going over into the realm of “absolute crap”.
Sharktopus explores the nightmare what-if scenario – what if a marine geneticist created a half shark, half octopus hybrid that then got loose? I think they paint a pretty accurate picture. (On a side note, I was unaware until researching for this post that there was, in fact, a 1984 movie Devil Fish that also featured a shark/octopus hybrid. So maybe Sharktopus would be better described as a remake…) Nathan Sands (Eric Roberts, The Expendables; The Prophecy II) is the lead director of the Blue Water Corps, a genetic engineering lab commissioned by the U.S. Navy to develop a super weapon capable of infiltrating enemy harbors undetected. With the help of his daughter Nicole Sands (Sara Malakul Lane, Nature Unleashed: Volcano; Belly of the Beast), he and his team create the aptly-named sharktopus, dubbed S-11. While testing their ability to control it, S-11 gets struck by a speedboat (which promptly explodes, of course), breaking the control relay and setting it free. Desperate to recapture S-11, Nathan enlists the help of Andy Flynn (Kerem Bursin, Sharktopus; Thursday), a former Navy SEAL and employee of Blue Water Corps, to help track it and subdue it. Meanwhile, in Puerto Vallarta, Mexico (again), reporter Stacy Everheart (Liv Boughn, Sharktopus; Dinoshark) and her cameraman Bones (Héctor Jiménez, Epic Movie; Nacho Libre) follow the path of the sharktopus as it kills everyone in sight. Classic sharktopus…
Top left – Nathan Sands; top right – Nicole Sands; middle left – Andy Flynn; middle right – Stacy Everheart; bottom left – Stacy and Bones; bottom right – S-11
Overall, this is another movie where the CGI stays fairly consistent throughout, although the blood-splatter effects leave quite a lot to be desired. My main issue is the seeming inconsistency in the size of the sharktopus; in some scenes, its arms seem to be infinitely long, or its head looks as large as a VW; in other scenes, its arms are clearly of a definite length, and its head looks more in line with a great white. The acting also falls into two distinct categories – people who are present for the majority of the movie, and people who are sharktopus bait. The acting in the former category was more or less in line with other SyFy originals, while the acting in the latter category was… not. The rest of the movie was pretty much what you’d expect.
“Curse you and your changing size!”
Before I look closely at the science of Sharktopus, there are two things they did that deserve special attention and kudos. First, they explain why the sharktopus is indiscriminately killing people (to be discussed below), given that “sharks aren’t serial killers”; and second, they openly recognize and mock the ridiculousness of their plot. There’s a scene wherein a radio producer starts getting reports of sharktopus sightings and suggests they’re doing a movie, to which her host replies “Oh, yeah, I can see that now – a former Navy SEAL slash oceanographer is tracking down this abomination before it takes any more lives!…”. This is exactly the sort of self-awareness that many B movies lack, and for that, I applaud them.
Self-aware comic relief. Bravo, SyFy; bravo
But now there’s science to do!
Let me be clear about this – I am not going to look into the possibility of creating a sharktopus, for two main reasons. The first is that obviously, melding the head of a shark onto the arms of an octopus is completely ludicrous, at least insofar as genetic manipulation currently stands (although there was a really cool thing someone did where they made rat muscle act exactly like a jellyfish; however, what they did there was not, in fact, genetic engineering so much as biomechanical manipulation). The second reason is that to do so would violate my core approach to evaluating the science of bad movies, namely assume it could work, and then examine the consequences of their explanation. So I’m less interested in talking about the likelihood of a dinoshark being released from a melting ice sheet, for example, and much more interested in figuring out how it learned to hunt humans. As such, I’m going to allow the sharktopus to exist as is, and not worry about how they made it; but then look at what they have it do. To that end, I’m going to be using the great white shark (again) as the shark part, and a generic octopus for the octopus part.
Completely plausible and believable. Now with extra beak!
The first thing to note is that the sharktopus is entirely manmade, so when it starts attacking boats and jet skis and the like, its behavior can be attributed to unnatural aggression and development, as well as its design purpose of being an infiltrator. However, what about why it shows increased aggression? The explanation given is that Nathan messed with the serotonin levels, in an unspecified way. This could make some amount of sense, as serotonin and vasopressin interact with receptors in the hypothalamus to help determine mood in many animals.
“I’m not angry, I just like to hug!”
The sharktopus also seemingly displays learning behavior throughout the movie. Octopi are well-known for their intelligence, while sharks have displayed an apparent curiosity in the wild. As such, the idea that a sharktopus would be a good problem-solver and learner makes a fair amount of sense, especially where hunting techniques are concerned. Despite the movie’s assertions that octopi are territorial animals, evidence seems to be conflicting, with some experiments demonstrating territoriality and others not (sadly, as I don’t have subscriptions to journals, I cannot link an article supporting octopi being non-territorial; however, a Google search for “octopus territorial behavior” should help provide some idea of the breadth of studies).
“Get away from my arch! Or not! It’s your choice!”
There’s a scene wherein the sharktopus jumps out of the water to eat a person; as discussed in yesterday’s entry, the jumping ability of some species of shark more than allows for the jumping height of the sharktopus. And the main methods used by the sharktopus to kill people include biting them into pieces, (apparently) drowning them by holding them underwater, and stabbing them with its arms. Octopi, in general, grab prey and kill it by biting it, a method common among sharks as well. However, the arms of octopi would not be able to stab through anything, being soft and malleable (though strong). As for drowning, most of the prey eaten by octopi are aquatic already, so drowning doesn’t make much sense. Overall, the only really realistic ways the sharktopus attacks people are by grabbing them with arms and then biting them with shark teeth or octopus beak. However, one thing that is fairly clear is that octopi are strong. In addition to being able to break through Plexiglas, giant pacific octopi have been known to successfully attack and kill sharks.
So this is cake to a sharktopus
Which leads to the last main question I have about this movie. At one point, the sharktopus follows fleeing beachgoers out onto the sand, walking on its fins and arms. Now, sharks have been known to walk around on their fins on the bottom of the ocean, as seen here; likewise, octopi are able to cross dry land when needed. So the fact of the sharktopus walking out of the ocean, while done in an exaggerated and cartoonish manner, is not unreasonable. However, at the end of the movie, it spends at least six or seven minutes out of water, terrorizing a resort. So how long could the sharktopus survive? Turns out, there’s a species of shark that routinely shuts down some of its body’s functions to help prevent suffocation, allowing to it live in environments with very little oxygen, at least temporarily. This isn’t quite the same as surviving out of water, but it does imply a certain ability, at least in some sharks, to “hold their breath”, so to speak.
“Beach volleyball! Who’s in?”
“No rooms? But I have a reservation! You’ll hear from my lawyers!”
And that’s all I’ve got for Sharktopus. If you enjoy creature movies and have the chance, it’s quite a bit of fun – ridiculous plot, campy CGI, and just enough self-awareness to laugh along with you. Only one more review left this week – land’s in sight!
Posted on August 17, 2012, in B-movies, Movies, SyFy Channel and tagged creature movie, Fun Movie, jumping the shark, octopus, Sci Fi Channel, sea monster, shark, Shark Week, SyFy, SyFy Channel. Bookmark the permalink. 2 Comments.